Sounds Good?

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We all talk about “good sound” but what is good sound in a hospitality context?

Good audio is like good visual, it’s very personal and an individual's perception

of quality sound can be very subjective. Having listened to studio recordings of

music tracks, these are very different to the presentation of music that most end

users expect to hear, and with the increased use of mp3 and headphones, the

appreciation of sound is further changing.

That aside, however, there are still some key characteristics that demonstrate

the basis of good sound.

So what should you listen out for?

Good sound should be evenly distributed throughout a space; as guests move
around an area they should receive a consistent audio experience.  Expanding
from this, you should consider your space layout. In adjoining areas where there
is no wall, door or physical barrier, or where the door will be open much of the
time, the sound will travel between adjoining spaces so you need to consider
how zonal sound can be used to create a more consistent experience for your
guests. A great sound system will also envelop you as you enter a space and
the actual sound sources should be hard to define.  This does not mean that
the sound needs to be loud, just seamless. In addition, the sound should be
balanced; there should not be too much or too little bass, mid or high frequency,
(unless of course, you are building a nightclub), and this mix should remain
balanced at both low and high volume levels. Another key area to consider is
where you might need less sound.  You may want lower sound levels in bar
areas and at service points to improve conversation and communication flow
between your customers and your team.

So what are the traps that lead to bad sound and how can these be avoided?

Considering audio hardware, there are certain things that you can do to maximise

the quality of your Hospitality sound.  

Unless you can get wall mounted speakers high above head height, installing these

in big spaces isn’t ideal, as they just make the perimeter of that space louder than

the centre and you don’t create a consistent audio experience.  Similarly, unless you

are on a stage or in a nightclub environment, splitting sound across separate bass

and mid high cabinets can often lead to unbalanced sound and should be avoided.

Using small speakers, although often considered aesthetically pleasing, cannot
supply a warm full sound.  A better alternative is the use of full range speakers,
possibly finished in a custom RAL colour to match your chosen decor, as these
can deliver superior sound whilst blending with your interior design.

Thinking about sound system design, considering the acoustics of a space is
also key in delivering the best possible sound.  Speakers pointing at or across
hard reflective surfaces will not generate good sound. Similarly, sound systems
created with many different areas and speakers but only a few amplifier channels
do not work.  To get great sound, different areas and speakers often need a
different amplifier channel and EQ. Finally, once the system design and hardware
have been considered, the music content needs to be addressed.  Not just what
tracks you are playing to evoke the right mood for your venue or for a particular
time of day, but the type of music format you are using to create the best possible
sound.  The quality at which a track is recorded makes a huge difference to the
end result of how that track sounds when it is played through a sound system.
No matter how good a sound system design and installation is, if you put in poor
quality music you get out louder poor quality music!  Conversely, with a well
designed and installed audio system, if you put in well-recorded music you get
out great sounding music.

To help with this and to avoid any of the legal copyright issues, look to professionally
curated music lists and fit these in a player.  This prevents your staff from putting on
their favourite tracks or from plugging in their phones which will help you to avoid
both legal and branding pitfalls.

So to make a hospitality venue sound good, good sound needs to make a sensory
engagement with your guests, and this can be achieved by the audio being an
integral part of the design, decor and planning of a new or refurbished space.

Why do I need PPL and PRS and what do they do?

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PPL and PRS for Music are the UK's two music licensing societies.

PPL represents performers and record companies. PRS for Music is

a society of songwriters, composers and music publishers. Both

organisations ensure that the creators and performers of music are

paid when their music is used in public.

PPL PRS Ltd is a new joint venture between PPL and PRS for Music.

They have recently joined forces to make it easier for their customers

to obtain a music licence for the playing or performance of music in public.  

The purpose of PPL PRS Ltd is to ensure that writers and performers are

fairly rewarded for their talent, but also to support those who use music

on a daily basis.

What is TheMusicLicence?

TheMusicLicence allows you to legally play and perform music in your

business, whether through the radio, TV, other devices and or through

live performances.

If you play or perform music in your business or organisation in the UK,

you will usually need TheMusicLicence. It will cover you, with one licence

and one invoice, for the use of virtually all commercially released music

available; millions of songs and recordings, including the most popular

and well-loved music not just from the UK but also from around the world.

Can I play Spotify or Apple Music in my Business?

The simple answer is no. In business terms, music streaming services

come in two forms; B2C (Business to Consumer) and B2B (Business to

Business). The core music streaming services offered by companies like

Spotify and Apple Music are B2C built for consumers, not businesses.

This means they are licensed for private, non-commercial use (perfect

to use at home with your friends & family). You need to purchase

TheMusicLicence to play music in public places, including to your

customers and employees.

But I have purchased iTunes Music so surely I can play this?

It is common in our digital age to be confused as to whether we own our

digital content. When you pay to download music or even movies for

that matter, you are essentially purchasing a license; you are leasing the content. Furthermore, you may only play this music in a non-commercial setting. You can listen to the songs yourself as much as you like, but it is illegal to play them in public. iTunes music on your iPod, iPad, iPhone, CDs, MP3s or digital files can not be used for background music in a commercial environment. Playing the downloaded music in your business violates copyright law because the act is now considered a public performance.

Public performances require TheMusicLicence.

What are Professional Creative Music Agencies?

Professional Creative Music Agencies create playlists of tracks to create

unique atmospheres and distinct brand identities for their clients.  All

music chosen by these agencies is covered by TheMusicLicence.

CGA Integration always recommends using this service, as you have

the peace of mind that when you purchase TheMusicLicence, all of your playlist will be covered. You also have the added benefit that the perfect playlist has been created specifically for your business.

Why buy a Radio Microphone licence?

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Act now to prevent ‘Silent Nights’ this Christmas

With the deadline for operating UHF wireless microphones using channel 69 swiftly approaching, users need to think quickly about obtaining a microphone licence and check that they have all the compatible hardware they need by the end of 2012.

Do I need a microphone licence? 

The answer to this frequently raised question is generally yes!  Anyone who is using a microphone be it for a company presentation in a hotel function room or a sermon in a Sunday morning church service, needs a microphone licence to safe guard the quality and reliability of their broadcasts.

Why should I buy a radio microphone licence?

Holding a microphone licence guarantees your use of a designated frequency to broadcast on without the concern of others being able to legally utilise that channel and interrupt any presentations or broadcasts you may be making.

Why the change now?

Recently the government sold off may frequencies which people were broadcasting on, including channel 69.  As many users were broadcasting illegally or without licences, the number of active users was masked and it appeared that the sale would affect far less people than it actually has.  Subsequently many users have had to replace their hardware to continue to broadcast as these channels will no longer be available after 31^st December 2012.  Moving forward, if all users hold a licence this will clearly demonstrate the number of active users and help to prevent this from happening again in the future.

What about other users in my venue?

Hotel function rooms and church halls are often used by DJs for corporate or private functions.  DJs can broadcast on licence free channels and these will not interfere with the licensed frequencies you want to broadcast on.

What about the hardware?

Generally the equipment needed to operate on licensed channels is of a higher quality, with more accessories, which in turn provides superior performance.  Typically licensed hardware includes;

• A rechargeable battery system so you know your microphone is always ready for use and you do not have to constantly buy new batteries.
• External and specialist aerials to ensure that you have a perfect reception in all areas.
• Rack mountable accessories to ensure that you equipment can be stored neatly to improve its longevity and give good ROI, (return on investment).
• A good range of interchangeable microphones and heads for all types of voice and sound reinforcement applications.

What do I need to do?
If you are unsure about how to proceed to ensure that you are ready for the switch over at the end of 2012, please contact us at CGA Integration and we can talk you through all your requirements and the steps you need to take to make sure that the transition is seamless.